After an original oil painting by André Romijn, “Visiting Versailles” is now available as a beautiful signed, fine art print on museum quality Hahnemuhle German Etching paper.
After an original oil painting by André Romijn, “Still waiting…” is now available as a beautiful signed, fine art print on museum quality Hahnemuhle German Etching paper.
The work is mounted on a museum quality foam board and signed below the right. There is also the framed option, with special anti-reflective and virtually invisible glass (up to 70% UV protection).
Please come to the Gallery to make your personal choice! Framed or unframed, both they come with a Certificate of Authentication.
Unframed size: 40 x 30 x 0.7 cm
Hahnemühle German Etching is a traditional mould-made copperplate printing paper, complete with an inkjet coating designed especially for FineArt applications. The white art paper made from 100% alpha cellulose is characterised by its extraordinary velvety tactile feel and its fine, clearly defined felt structure. The unique surface texture adds a very special touch to images, showcasing them in all their splendour with impressive three-dimensional effect and depth. The premium matt inkjet coating guarantees outstanding print results with excellent reproduction of colour and detail, deep black and optimum contrasts. German Etching is acid- and lignin-free and meets the most exacting requirements in terms of age resistance. This heavyweight FineArt inkjet paper is one of the most popular paper for FineArt prints and art reproductions thanks to its characteristic tactile feel and surface texture
Portrait of a woman against a strong blue background. With the frame, the painting has given my a strong connotation with some of the small rooms, part of Marie-Antoinette’s private chambers at Versailles. I have visited Versailles a couple of time a while ago, when I was doing research for my biographical novel Vive Madame La Dauphine (Marie Antoinette Trilogy).